In these three song cycles, Britten draws his inspiration from the heights of European poetry (Shakespeare, Blake, Shelley, Keats, but also Rimbaud), thereby extending the boundaries of the genre. He multiplies the relationship between voices and instruments, ranging from strings alone (Les Illuminations) to a string ensemble with obligato wind instruments, harp and timpani (Nocturne), and not to forget the fascinating dialogue with the horn in the Serenade. A unique sound world is revealed here by artists at the peak of their abilities!
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