Chopin

This+is+a+double+CD+filled+with+beautiful%2C+grand+Chopin+works+played+by+Sergei+Edelmann%2C+including+the+two+sonatas+composed+at+the+height+of+Chopin%26%2339%3Bs+powers.+Mr.Edelmann%2C+a+pianist+sensationally+returning+to+the+recording+market+after+his+long+silence%2C+shows+his+maturity+playing+full+of+nuances%2C+colors+and+expressions.+Mr.Edelmann%26%2339%3Bs+mastery+strokes+are+enough+captured+in+the+splendid+recording+by+EXTON+crew+on+the+fine+SACDs.++%3Cbr+%2F%3E%3Cbr+%2F%3E%26ldquo%3BChopin+composed+almost+exclusively+for+his+own+instrument%2C+the+piano+%26ndash%3B+mostly+in+miniature+genres%2C+but+three+times+in+the+more+ambitious+multi-movement+form+of+the+sonata.+The+First+Sonata+is+a+product+of+his+student+years%2C+but+the+other+two+were+written+when+he+was+at+the+height+of+his+powers.+Both+succeed+triumphantly+in+combining+Chopin%26rsquo%3Bs+individual+brand+of+virtuosity+with+lyrical+melody+and+organic+development+%26ndash%3B+thanks+in+part+to+treatments+of+traditional+forms+which+were+once+considered+inept+or+even+ignorant%2C+but+which+are+now+recognised+as+perfectly+calculated+to+achieve+the+composer%26rsquo%3Bs+expressive+aims.+%5B%26hellip%3B%5D+%3Cbr+%2F%3E%3Cbr+%2F%3E++%5B...%5D+Chopin+borrowed+the+title+of+%26ldquo%3Bscherzo%26rdquo%3B+from+the+larger+genres+of+sonata+and+symphony%2C+and+applied+it%2C+along+with+its+associated+triple+time+and+A%26ndash%3BB%26ndash%3BA+outline%2C+to+four+free-standing+piano+pieces+which+far+transcend+the+word%26rsquo%3Bs+literal+meaning+of+%26ldquo%3Bjoke%26rdquo%3B.+The+Second+Scherzo%2C+composed+in+1837+around+the+same+time+as+the+Funeral+March+of+the+Second+Sonata%2C+combines+coruscating+piano+writing+with+an+unusual+expanding+form.%3Cbr+%2F%3E+%5B...%5D+The+title+of+%26ldquo%3Bnocturne%26rdquo%3B+was+coined+by+the+Irish-born+composer-pianist+John+Field+in+the+1810s+for+a+series+of+pieces+featuring+delicately+decorated+singing+melody+over+a+regular+accompaniment.+Chopin+took+over+the+concept%2C+but+in+the+course+of+his+career+broadened+it+considerably.+For+example%2C+the+first+of+the+two+Op.+48+Nocturnes+which+he+composed+in+1841+is+not+so+much+lyrical+as+dramatic+in+character+%5B%26hellip%3B...%5D+although+the+second+of+the+pair+is+more+characteristic+of+the+genre%2C+it+has+a+sharply+contrasting+middle+section%2C+in+a+slower+triple+time+with+hints+of+mazurka+rhythm+%26ndash%3B+another+example+of+the+radical+approach+to+form+which+is+such+a+central+feature+of+Chopin%26rsquo%3Bs+unique+art.%26ldquo%3B++%3C%21--+%09%09%40page+%7B+margin%3A+2cm+%7D+%09%09P+%7B+margin-bottom%3A+0.21cm+%7D+%09--%3E+%09%3C%21--+%09%09%40page+%7B+margin%3A+2cm+%7D+%09%09P+%7B+margin-bottom%3A+0.21cm+%7D+%09--%93Chopin+composed+almost+exclusively+for+his+own+instrument%2C+the+piano+%96+mostly+in+miniature+genres%2C+but+three+times+in+the+more+ambitious+multi-movement+form+of+the+sonata.+The+First+Sonata+is+a+product+of+his+student+years%2C+but+the+other+two+were+written+when+he+was+at+the+height+of+his+powers.+Both+succeed+triumphantly+in+combining+Chopin%92s+individual+brand+of+virtuosity+with+lyrical+melody+and+organic+development+%96+thanks+in+part+to+treatments+of+traditional+forms+which+were+once+considered+inept+or+even+ignorant%2C+but+which+are+now+recognised+as+perfectly+calculated+to+achieve+the+composer%92s+expressive+aims.+%5B%85%5D+++%5B...%5D+Chopin+borrowed+the+title+of+%93scherzo%94+from+the+larger+genres+of+sonata+and+symphony%2C+and+applied+it%2C+along+with+its+associated+triple+time+and+A%96B%96A+outline%2C+to+four+free-standing+piano+pieces+which+far+transcend+the+word%92s+literal+meaning+of+%93joke%94.+The+Second+Scherzo%2C+composed+in+1837+around+the+same+time+as+the+Funeral+March+of+the+Second+Sonata%2C+combines+coruscating+piano+writing+with+an+unusual+expanding+form.+%5B...%5D+The+title+of+%93nocturne%94+was+coined+by+the+Irish-born+composer-pianist+John+Field+in+the+1810s+for+a+series+of+pieces+featuring+delicately+decorated+singing+melody+over+a+regular+accompaniment.+Chopin+took+over+the+concept%2C+but+in+the+course+of+his+career+broadened+it+considerably.+For+example%2C+the+first+of+the+two+Op.+48+Nocturnes+which+he+composed+in+1841+is+not+so+much+lyrical+as+dramatic+in+character+%5B%85...%5D+although+the+second+of+the+pair+is+more+characteristic+of+the+genre%2C+it+has+a+sharply+contrasting+middle+section%2C+in+a+slower+triple+time+with+hints+of+mazurka+rhythm+%96+another+example+of+the+radical+approach+to+form+which+is+such+a+central+feature+of+Chopin%92s+unique+art.%93--%3E