The Uzbek pianist Behzod Abduraimov (°1990) leaves behind his earlier concert works and virtuosic performances in the album 'Debussy - Chopin – Mussorgsky' and presents a more varied program. What stands out is the broadening of Abduraimov's tonal palette and his deeper musical maturity. His playing has acquired a softer and rounder sound, with more refined color shadings.
Debussy's "Children's Corner" (Le Coin des enfants)
The music catalog is full of interpretations of Debussy's "Le Coin des enfants - Children's Corner", ranging from intensely musical to virtuosic. Abduraimov positions himself between these two extremes, with a more sensitive approach. His relaxed playing style emphasizes the expressive qualities of the pieces.
Doctor Gradus ad Parnassum is performed at a leisurely tempo, while Jimbo's Lullaby is beautifully phrased musically and lyrically. Serenade to the Doll and The Little Shepherd contain a warm beauty and Golliwog's Cakewalk is played with subtle humor, without resorting to pure virtuosity.
Chopin's 24 Préludes, Op. 28
Abduraimov has a clear vision for Chopin's préludes, perfectly capturing the miniature atmospheres with a strong, overarching unity. His approach is reminiscent of that of Dame Moura Lympany with regard to tempo, rubato and pianistic color. While the pieces are written as separate compositions, Abduraimov manages to unite them appropriately, as in the first four préludes. The famous Raindrop Prélude (La goutte d'eau) is performed simply and charmingly.
Under Abduraimov's fingers, Mussorgsky's Pictures at an Exhibition receives a subtle and sometimes reserved interpretation, comparable to his approach to Chopin. Although there is contrast in color and sound between pieces such as Promenade I, Gnomus and The Great Gate of Kiev, Abduraimov sometimes lacks the liveliness that, for example, Paul Lewis brings to his performance. However, his softer, round tone works well for the darker moments, such as in Vecchio Castello.
Recording and technical details
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This album, with a generous playing time of more than 83 minutes, was recorded in the Teldex Studio in Berlin and is characterized by excellent engineering and instrument quality. Despite some audible breathing by Abduraimov, particularly in the interpretation of Mussorgsky and Chopin, this album is a worthwhile listening experience and a compelling recital.