Morphing Landscapes

The music of J.S. Bach has always fascinated musicians of all times and styles. Renewing the original material, which has already been affected by reinterpretations, is a continuous challenge for every performer. Morphing Landscapes begins its journey through sound and its transformation, shifting attention to contemporary times, not so much from the perspective of eternal content, but with regard to timbre and the possibilities we have today to create new suggestions by transforming sound over time. For the cello suites, Robert Schumann conceives and writes a piano accompaniment. This immediately transforms into repertoire pieces for trombone, and today, in Morphing Landscapes, they are brought to sound through mutes and a spontaneous dialogue with 20th-century instruments, such as the Wurlitzer, the Fender Rhodes and the Hammond organ, sound them out. A transformation of the material through timbre and dialogue. In the same way, the content of pieces composed by Eugène Bozza as a homage to Bach is treated, creating new textures that are constantly in motion.