FROM HAMMERS TO BYTES
Lambert Orkis
- Label
- Bridge
- Numéro de catalogue
- BRIDG 9131
- EAN / code-barres
- 0090404913129
- Date de sortie
- 20 juin 2005
Keyboard virtuoso Lambert Orkis is heard in the premiere recordings of two major works, dedicated to and composed for this remarkable artist. Orkis is perhaps most well-known for his partnerships with violinist Anne-Sophie Mutter and cellist Mstislav Rostropovich, but has also had a career as a performer on period keyboard instruments and as the principal keyboardist for the National Symphony Orchestra. Orkis has also had a long relationship with the two composers on this recording, having been the dedicatee of Wernick’s Piano Sonata No. 1 and Piano Concerto, and as a duo partner with composer/pianist Primosch. Wernick’s Piano Sonata No. 2 is a thirty-six minute essay in three parts. The work alternates intense toccata-like passages with stretches of almost glacial calm. The first and last movements are basically mirror images of one another, so the listener gets to hear similar music from a different perspective with the resulting new connections experienced. In Primosch’s Sonata-Fantasia, a Kurzweil synthesizer serves to amplify and expand the timbral possibilities of the piano. The forty minute work opens with a set of 14 variations on an original theme. These variations sometimes take as models keyboard textures created by past masters, including Bach, Schubert, and Chopin. The slow movement is meditative and the finale is jazzy. The whole work is a remarkable testament to Orkis’s virtuosity, with the performer often required to play both keyboards simultaneously.
Liste des pistes
- 01 Piano Sonata No. 2, Pt. 1: I. Intrada 01:55
- 02 Piano Sonata No. 2, Pt. 1: II. Arioso triste 06:23
- 03 Piano Sonata No. 2, Pt. 1: III. Toccata 01:52
- 04 Piano Sonata No. 2, Pt. 2: I. Fantasy Variations 14:22
- 05 Piano Sonata No. 2, Pt. 3: I. Tempo della toccata 02:12
- 06 Piano Sonata No. 2, Pt. 3: II. Tempo del' arioso 05:56
- 07 Piano Sonata No. 2, Pt. 3: III. Tempo della marcia 03:42
- 08 Sonata-Fantasía: Ia. Prelude fantastico, quasi improvisando 02:24
- 09 Sonata-Fantasía: Ib. Tema semplice, ma espressivo e con poco rubato 01:25
- 10 Sonata-Fantasía: Ic. Var. 1, Sognando, flessibile 01:30
- 11 Sonata-Fantasía: Id. Var. 2, Scampering, leggiero 00:51
- 12 Sonata-Fantasía: Ie. Var. 3, Con fuoco 00:57
- 13 Sonata-Fantasía: If. Var. 4, Moderato, fluente 01:20
- 14 Sonata-Fantasía: Ig. Var. 5, Like a Mechanical Toy. Moderato 00:56
- 15 Sonata-Fantasía: Ih. Var. 6, Sempre delicato e legato 01:02
- 16 Sonata-Fantasía: Ii. Var. 7, A Bit Typsy. Andante 00:55
- 17 Sonata-Fantasía: Ij. Interlude largo, contemplativo 01:22
- 18 Sonata-Fantasía: Ik. Var. 8, Allegretto 00:55
- 19 Sonata-Fantasía: Il. Var. 9, A Little Grotesque. Pompous 01:19
- 20 Sonata-Fantasía: Im. Var. 10, Molto vivace 01:08
- 21 Sonata-Fantasía: In. Var. 11, In Romantic Style. Grand 01:35
- 22 Sonata-Fantasía: Io. Var. 12, Senza tempo, quasi cadenza 01:10
- 23 Sonata-Fantasía: Ip. Var. 13, Cryptic 01:24
- 24 Sonata-Fantasía: Iq. Var. 14, Presto 01:24
- 25 Sonata-Fantasía: Ir. Postlude fantastico, quasi improvisando 02:31
- 26 Sonata-Fantasía: II. Meditativo adagio molto, mesto 09:09
- 27 Sonata-Fantasía: III. Daddy-O's New Groove. Allegro 06:53